![]() ![]() So a Bm triad links all three chords there (Gmaj9 = Bm7/G). The E9#11 seems stranger (not B dorian obviously) - but is explained by the voice-leading: it shares B, D and F# (Bm triad) with Gmaj9, while the G# and A# descend by semitone to G and A. It would normally be another secondary dominant (V/V), but doesn't go to A - and I'm not sure if the move to G makes it a "deceptive cadence", seeing as it doesn't sound like a resolution to me. Carla Bley 83 Vinyl 11 offers from 31.82 I Hate to Sing Carla Bley 4 Audio CD 9 offers from 27.17 Track Listings Editorial Reviews Recorded in 1987, Sextet belongs with Heavy Heart and Night-Glo as a radical departure for Bley from her big bands frequent high-art mix of satire and experimentation. The E9 is a little odd, maybe, but forms a dorian i-IV with the Bm11. ![]() (Gm-D is a standard minor plagal cadence, iv-I, commonly preceded, as here by the major IV.)Īb7#11 is the tritone sub for V/VI (substitute for D7alt). There are a few other common jazz functions too: the "backdoor" C9>Dmaj7, which is really the same as the Gm69 earlier on, just given a C bass. ![]() The D9 in bar 4 is a secondary dominant (V/IV). (Really hard to see how the key could be anything else!) Carla Bley, née Borg, (born May 11, 1936) is an American jazz composer, pianist, organist and band leader. It also resolves quite convincingly to D major at other points in the tune: bar 3 and bar 15, and similarly in the second section (bars 19 and 31) - and there's a very strong underlining of the D keynote all through the last 4 bars of each section. You have two options: You can look at the picture of Carla Bley, say to yourself Well, she just looks silly, click Delete and spend the. Click to expand.Simple answer is it ends on D. ![]()
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